Exposition « MY WINNIPEG » au MIAM à Sète
2011
...Paris last summer. Winnipeg is a prime example of how geographical location can shape artistic production. Long, harsh winters prompt artists to get together in their studios to work; the...
2011
...Paris last summer. Winnipeg is a prime example of how geographical location can shape artistic production. Long, harsh winters prompt artists to get together in their studios to work; the...
2011
...of marriage, etc. After the ‘commitment’ has been written out on the photograph, by rubbing out certain letters, by blurring them, I change the text, and thus the nature of...
2011
Corteo (which means “cortège” in Italian) is a joyous procession, a festive parade imagined by a clown. Combining acrobatic feats, comedy and acting, Corteo takes the audiences into a theatrical...
2011
...Léopold, live through what was their final scene, 10 years previously. Manon still lives in this kitchen, shut away with her demons. Carmen attempts to leaves it one final time....
2011
...followed for five generations, Ling Zhang has us discover the forgotten destiny of these migrants who left their country is the 1880s for a country that was often hostile, a...
2011
Between intimist rock / folk songs and pop delicate, Sylvain Verte spreads on stage, heat and emotion, he evokes his vision of the life, under the shape of small paintings...
2011
...be the next renowned choreographer to propose her version. Under the musical direction of Tito Muñoz, the Choeur de l’Opéra National de Lorraine and the Orchestre Symphonique et Lyrique de...
2011
For the last 7 years Lyon welcomes the festival SPONTANéOUS. It has for vocation to celebrate and to encourage the spontaneous creation during a week: every evening allows to discover...
2011
On the occasion of the publication of Burqa de chair (“Flesh Burqa”) by Nelly Arcan, the Canadian Cultural Centre, in collaboration with Éditions du Seuil, is pleased to invite you...
2011
...in France that have kept ties to their country of origin. All creation tends towards the universal and we known the place matters little: what we could call Dis–location, a...