fbpx Skip Navigation

Julie Doucet – Art Scrap Craft
Galerie Anne Barrault

Galerie Anne Barrault
November 30th, 2023 - January 20th, 2024

Doucet_2023_ArtScrapCraft_1
Vue de l’exposition "Art Scrap Craft" de Julie Doucet / Courtesy de l'artiste et de la galerie Anne Barrault
Doucet_2023_ArtScrapCraft_2
Vue de l’exposition "Art Scrap Craft" de Julie Doucet / Courtesy de l'artiste et de la galerie Anne Barrault
Doucet_2023_ArtScrapCraft_7
Vue de l’exposition "Art Scrap Craft" de Julie Doucet / Courtesy de l'artiste et de la galerie Anne Barrault
Doucet_2023_ArtScrapCraft_5
Vue de l’exposition "Art Scrap Craft" de Julie Doucet / Courtesy de l'artiste et de la galerie Anne Barrault

From November 30, 2023 to January 20, 2024, Galerie Anne Barrault presents the first solo show of Quebec comic artist Julie Doucet, in Paris. Art Scrap Craft gathers new drawings and collages in dialogue with emblematic strips as well as animated films.

The drawings and texts by Julie Doucet proliferate, most of the time together on paper and beyond. Originally, they appeared on ordinary sheets of paper, photocopied, folded, cropped and stapled, then handed out like that, just like that. Soon, they were published, and then felt like being different. For example, they appeared from cutouts and collages, and became poetry. This is their story: from the first fanzines, the now cult Dirty Plotte in the late 1980s, to this first solo show in Paris, in 2023.

A story, which also includes the Grand Prix of the Angoulême Festival in 2022, awarded twenty years after she had given up the world of comics. For Julie Doucet’s drawings and texts have to do with the answers given by Linda Nochlin in her article “Why haven’t there been any great female artists?“. When she started working, artistic circles were so male-dominated that the rare women present did not dare call themselves feminists. They had to find strategies. Talking about sex and tampax was one of them. The American journalist Ann Elizabeth Moore, in the preface to the large Maxiplotte compilation (available for consultation in the exhibition) describe this bias as a “Fuck You, Fuck Me feminism”, a post-punk feminism, which was not afraid of getting its hands dirty (them again).

So, today, in the white cube of the gallery, in the shape of a photo novel, a leporello novel, new collages, sometimes with a soundtrack, as in her videos, Julie Doucet’s drawings and texts breathe. A kind of philosophy, both personal and inclusive, emerges, as if through their dotted lines.

Curator: Vanessa Morisset
Further info.

With the support of the Canadian Cultural Centre.

Where

Galerie Anne Barrault
51 Rue des Archives, Paris

Get directions
Loading Map…