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Shannon Bool
Promiscuous Rooms

Centre Culturel Canadien
February 08th, 2019 - April 05th, 2019

Shannon Bool - Women in their Apartment [Femmes dans leur appartement], 2019
Shannon Bool - Women in their Apartment [Femmes dans leur appartement], 2019 - Photo Vincent Royer, OpenUp Studio / Centre culturel canadien-Canadian Cultural Centre, Paris
Sahnnon Bool, Oued Ouchaia, 2018
Shannon Bool, Oued Ouchaia, 2018 - Vue d'exposition de Shannon Bool, La forme d'Obus / The Shape of Obus, été 2018, Musée d'art de Joliette, photo Paul Litherland.
Shannon Bool, Bombshells series, 2018
Shannon Bool, Bombshells series, 2018 - Vue d'exposition de Shannon Bool, La forme d'Obus / The Shape of Obus, été 2018, Musée d'art de Joliette, photo Paul Litherland.

The Canadian Cultural Centre is pleased to present Shannon Bool’s first solo exhibition in France. Bool is an internationally recognized contemporary artist based in Berlin. Produced by the Musée d’art de Joliette, the exhibition is enriched in Paris by several new works co-produced with the Kunstverein Braunschweig, which will host the exhibition in the fall of 2019. Promiscuous Roomsreveals the underlying fantasmal character of modernist architecture, and the current relevance of this issue in a world where the image of an “exotic” female body remains powerfully seductive, but in more ambiguous ways.

Shannon Bool’s recent practice takes on many forms, including tapestries, silk paintings, collages, sculptures or photograms. Promiscuous Rooms foregrounds Bool’s current research on a series of erotic drawings made by Le Corbusier in Algeria during the 1930s. These coincided with the initial stages of the architect’s urban plan designs aimed at transforming Algiers into a modern imperial capital, thus asserting the French presence in North Africa. With her Bombshells series, Bool detects in the architect’s curved urban designs the direct consequences of his voyeuristic sessions; the sensuality of Moorish bodies, by association and projection, informed his proposals to redesign the city. By literally superimposing the megastructures of the Plan Obus onto the bodies of colonized women posed within Orientalist settings, Bool reveals the violence behind the idea of progress in Le Corbusier’s proposals for the city’s modernisation, and does so through a postcolonial, feminist lens.

Initiated by the Musée d’art de Joliette, this exhibition is coproduced in Europe by the Centre culturel canadien, Paris, and the Kunstverein Braunschweig, Braunschweig, and travelling in Canada to the Agnes Etherington Art Centre, Kingston. We wish to thank the Canada Council for the Arts for their support.

Opening on February 7 from 18:00 to 20:30 – Guided tour with the artist at 17:00 upon reservation

Encounters

March 7th, A question of points of view and perspectives
Anne-Marie St-Jean Aubre (curator of contemporary art at the Musée de Joliette)

March 11th, Sounding out Man Caves, extracting Bombshells
Lise Lerichomme (artist and lecturer in the visual arts at the Université de Picardie Jules Verne)

March 25th, Colonial domination and architectural constraint
A dialogue between professors Christelle Taraud (author of Sex, Race and Colonies, and professor at Paris Panthéon-Sorbonne University and Columbia University) and Zeynep Celik (professor at Columbia University, specializing in the history of urban planning in the Orient)

#CanadaCulture #ShannonBool

Where

Centre Culturel Canadien
130 rue du Faubourg Saint-Honoré, Paris

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Booking

Event fully booked.